{"id":59375,"date":"2026-09-04T14:23:10","date_gmt":"2026-09-04T08:53:10","guid":{"rendered":"https:\/\/financialtelegraph.in\/index.php\/2026\/09\/04\/chaltabagan-durga-puja-unveils-2026-puja-theme-nishan-inspired-by-ramnami-samaj-announces-durga-puja-connect-global-app-for-the-festival\/"},"modified":"2026-09-04T14:23:10","modified_gmt":"2026-09-04T08:53:10","slug":"chaltabagan-durga-puja-unveils-2026-puja-theme-nishan-inspired-by-ramnami-samaj-announces-durga-puja-connect-global-app-for-the-festival","status":"publish","type":"post","link":"https:\/\/financialtelegraph.in\/index.php\/2026\/09\/04\/chaltabagan-durga-puja-unveils-2026-puja-theme-nishan-inspired-by-ramnami-samaj-announces-durga-puja-connect-global-app-for-the-festival\/","title":{"rendered":"Chaltabagan Durga Puja unveils 2026 Puja theme \u2018Nishan\u2019 inspired by Ramnami Samaj; announces Durga Puja Connect global app for the festival"},"content":{"rendered":"<div>\n<p><img loading=\"lazy\" width=\"1200\" height=\"675\" src=\"https:\/\/financialtelegraph.in\/wp-content\/uploads\/2026\/09\/PNN-2026-09-03T130503783.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" decoding=\"async\"><\/p>\n<p class=\"wp-block-paragraph\"><em><strong>Sundeep Bhutoria with Pt Vishwa Mohan Bhatt, Shishir Bajoria, and Ashok Jaiswal at the Chaltabagan press meet in Kolkata with Ramnani Samaj members from Chhattisgarh.<\/strong><\/em><\/p>\n<p class=\"wp-block-paragraph\"><strong>Kolkata (West Bengal) [India], September 4:<\/strong> <strong>The Manicktala Chaltabagan Lohapatty Durga Puja Committee today announced \u2018Nishan \u2014 The Mark\u2019 as the theme of its 84th Durga Puja<\/strong> along with the release of a especially composed musical theme by <strong>Pt. Vishwa Mohan Bhatt<\/strong> and the soon-to-be launched <strong>Durga Puja Connect app<\/strong>, a global digital initiative that will carry Durga Puja \u2014 inscribed by UNESCO on the Representative List of the Intangible Cultural Heritage of Humanity in 2021 \u2014 to devotees, organisers, the diaspora and admirers across the world.<\/p>\n<p class=\"wp-block-paragraph\">Elders of the <strong>Ramnami Samaj of Chhattisgarh<\/strong> \u2014 a devotional community whose members inscribe the name of Ram across their bodies, a practice that began in the 1890s as a peaceful answer to being denied entry at the temple door \u2014 were present as guests of honour.<\/p>\n<p class=\"wp-block-paragraph\">The announcements were made by the Chairman of Chaltabagan Durga Puja, <strong>Sundeep Bhutoria<\/strong>, at a press conference in Kolkata in the presence of Grammy Award winner and Padma Bhushan <strong>Pt Vishwa Mohan Bhatt<\/strong>, <strong>Shri Shishir Bajoria<\/strong> and other dignitaries.<\/p>\n<p class=\"wp-block-paragraph\"><em>\u201cThe theme, the music, the presence of the Ramnami Samaj and Durga Puja Connect app are not separate announcements but one idea. A celebration of faith, sacred inscriptions and sounds and a global bridge linking devotees worldwide. Nishan is the mark that is written; the music composition is the audible mark; the Ramnami Samaj are the living proof that a mark, faithfully inscribed, can outlast everything that was used to exclude the people who carry it and the app is the modern mark of technology. It is all about \u2013 ink on skin, sound in the air, clay and structure (pratima) in a North Kolkata street and the global connect. With Durga Puja Connect app, we are asking a second question: If a mark can travel across a lifetime, why should a puja not travel across the world? One idea looks inward at what we carry; the other looks outward at how far it can reach,\u201d<\/em> said <strong>Mr Sundeep Bhutoria<\/strong>.<\/p>\n<p class=\"wp-block-paragraph\">The Chaltabagan Durga Puja Committee describes the movement in a single Bengali phrase \u2014 <strong>\u2018Akshar theke Aakar\u2019<\/strong> (from the letter to the form).<\/p>\n<p class=\"wp-block-paragraph\">The 2026 Puja theme <strong>Nishan<\/strong> has been conceived by artist <strong>Aditi Chakraborty<\/strong>, whose work continues to centre on communities at the margins of the national picture. <em>\u201cNishan traces godna, the tattoo, as one of India\u2019s oldest acts of faith, protection and quiet protest \u2014 the mark a person carries when there is nothing else to carry. The thematic narrative spans communities and geographies: the Baiga woman\u2019s ornament that poverty cannot take away; the healing \u2018Jahar Ulki\u2019 of Latehar; the protective and magical designs of the south; and the fertility motifs whose geometry echoes, remarkably, in the 9 plants of the Nabapatrika that Bengal has worshipped for centuries\u201d<\/em> said <strong>Ms Aditi Chakraborty<\/strong><\/p>\n<p class=\"wp-block-paragraph\">Grammy Award winner and Padma Bhushan recipient <strong>Pt.Vishwa Mohan Bhatt<\/strong> released a special musical composition created for the theme. <em>\u201cWhen the committee described this theme to me, I recognised it at once as `nishan and naad\u2019. A raga is also a mark \u2014 you cannot see it, but it is inscribed, passed from teacher to student, carried for a lifetime. The Ramnamis write the name on the skin; we write it in the air with naad (musical sound). I have tried to compose something that holds both: the sound of a chant that has been repeated for a hundred years, and the sound of an instrument (Mohan Veena) that did not exist before I made it,\u201d<\/em> Pt. Vishwa Mohan Bhatt said.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/financialtelegraph.in\/wp-content\/uploads\/2026\/09\/PNN-2026-09-03T145454169-1-1024x576-1.jpg\" alt=\"Ramnami Samaj\" class=\"wp-image-85877\" srcset=\"https:\/\/financialtelegraph.in\/wp-content\/uploads\/2026\/09\/PNN-2026-09-03T145454169-1-1024x576-1.jpg 1024w, https:\/\/pnndigital.com\/wp-content\/uploads\/2026\/09\/PNN-2026-09-03T145454.169-1-300x169.jpg 300w, https:\/\/pnndigital.com\/wp-content\/uploads\/2026\/09\/PNN-2026-09-03T145454.169-1-150x84.jpg 150w, https:\/\/pnndigital.com\/wp-content\/uploads\/2026\/09\/PNN-2026-09-03T145454.169-1-450x253.jpg 450w, https:\/\/pnndigital.com\/wp-content\/uploads\/2026\/09\/PNN-2026-09-03T145454.169-1.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\"><\/figure>\n<\/div>\n<p class=\"wp-block-paragraph\">The musical track has been created, recorded and mixed by <strong>Saurabh Bhatt<\/strong>, with the Mohan Veena played by <strong>Atharva Bhatt and Pt. Vishwa Mohan Bhatt<\/strong>. The overall concept of anchoring the theme in a musical composition is by <strong>Sundeep Bhutoria<\/strong>.<\/p>\n<p class=\"wp-block-paragraph\">Chaltabagan presenting the Ramnami guests with an uttariyas. The members of the <strong>Ramnami Samaj performed chantings from Ramcharitmanas<\/strong> on the occasion.<\/p>\n<p class=\"wp-block-paragraph\"><strong>Durga Puja Connect<\/strong> app is a mobile-first digital platform that links the devotee standing before the pandal with a global audience of admirers and the diaspora. Built around three actions \u2014 <strong>Discover, Participate and Showcase<\/strong> \u2014 it allows users anywhere in the world to explore pujas and the stories behind them, to join a living virtual community that crosses borders, and to pin themselves on a worldwide devotee map by saying, simply, \u2018I\u2019m here with Chaltabagan\u2019.<\/p>\n<p class=\"wp-block-paragraph\">The platform is designed around the four living pillars by which the festival carries itself forward \u2014 <strong>cultural expression, social harmony and inclusion, ritual and belief, and living tradition<\/strong> \u2014 and it will maintain a lasting digital archive of each year\u2019s celebration. Its stated ambition is one line: <em><strong>one app, one global community, one shared celebration.<\/strong><\/em><\/p>\n<p class=\"wp-block-paragraph\"><em><strong>Before there were temples, there was the body.<\/strong><\/em> That is the sentence at the centre of this year\u2019s pandal.<\/p>\n<p class=\"wp-block-paragraph\"><em>\u201cChaltabagan has never been content to build a pandal; they try to build an idea and then invite the city to walk through it. Durga Puja does not belong to one street, one city or even one country any more. It is celebrated wherever Bengalis and friends of Bengal have made a home. Durga Puja Connect is our attempt to give that scattered celebration a single address \u2014 so that a family in Kolkata, a student in Berlin and a doctor in New Jersey can stand, for a few days each autumn, in the same room,\u201d<\/em> said <strong>Mr Shishir Bajoria, Core Team, BJP Videsh Vibhag; State Executive, BJP West Bengal; President, Inauguration Committee 2026, Chaltabagan Durga Puja<\/strong><\/p>\n<p class=\"wp-block-paragraph\">The announcements were made in the presence of committee officials including <strong>Ashok Jaiswal, President; Rajesh Bihani, Vice Chairman; and Rajesh Jaiswal, Secretary<\/strong>. <strong>Mahalaya falls on 10 October 2026<\/strong>, and the Chaltabagan pandal at <strong>Manicktala, North Kolkata<\/strong>, will open to visitors during the Puja days.<\/p>\n<h3 class=\"wp-block-heading\"><strong>About Manicktala Chaltabagan Lohapatty Durga Puja<\/strong><\/h3>\n<p class=\"wp-block-paragraph\">Founded in <strong>1943<\/strong> in the old iron quarter of Manicktala, North Kolkata, the <strong>Manicktala Chaltabagan Lohapatty Durga Puja<\/strong> has grown from a neighbourhood celebration into one of the city\u2019s most closely watched pujas, with a long record of theme-led work and environmental subjects. Its honours include the <strong>Asian Paints Sharad Shamman for Best Puja and Best Artisan, induction into the True Spirit Puja Hall of Fame, and the Biswa Bangla Sharad Samman 2025 in the Sera Bhabna category<\/strong>. In 2025, ambassadors and high commissioners of eight countries visited the pandal.<\/p>\n<h3 class=\"wp-block-heading\"><strong>About The Ramnami Samaj<\/strong><\/h3>\n<p class=\"wp-block-paragraph\">The <strong>Ramnami Samaj<\/strong> is a devotional community of Chhattisgarh, founded in the 1890s, whose members inscribe the name of Ram across their bodies as a lifelong pledge of devotion and as a peaceful response to caste exclusion. They wear a block-printed odhni bearing the same inscription, gather annually for a Bhajan Mela, and recite the Ramcharitmanas. <strong>They are a devotional community, not a tribe.<\/strong><\/p>\n<p class=\"wp-block-paragraph\"><em>If you object to the content of this press release, please notify us at pr.error.rectification@gmail.com. We will respond and rectify the situation within 24 hours.<\/em><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sundeep Bhutoria with Pt Vishwa Mohan Bhatt, Shishir Bajoria, and Ashok Jaiswal at the Chaltabagan press meet in Kolkata with Ramnani Samaj members from Chhattisgarh. Kolkata (West Bengal) [India], September &hellip; <a href=\"https:\/\/financialtelegraph.in\/index.php\/2026\/09\/04\/chaltabagan-durga-puja-unveils-2026-puja-theme-nishan-inspired-by-ramnami-samaj-announces-durga-puja-connect-global-app-for-the-festival\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":59376,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[682],"class_list":["post-59375","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lifestyle","tag-lifestyle","entry"],"_links":{"self":[{"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/posts\/59375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/comments?post=59375"}],"version-history":[{"count":0,"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/posts\/59375\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/media\/59376"}],"wp:attachment":[{"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/media?parent=59375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/categories?post=59375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/tags?post=59375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}