{"id":11346,"date":"2022-03-21T10:46:01","date_gmt":"2022-03-21T10:46:01","guid":{"rendered":"https:\/\/financialtelegraph.in\/index.php\/2022\/03\/21\/filmmaker-srushti-kalse-creating-magic-in-glitz-glamour-and-social-impact-via-her-lens\/"},"modified":"2022-03-21T10:46:01","modified_gmt":"2022-03-21T10:46:01","slug":"filmmaker-srushti-kalse-creating-magic-in-glitz-glamour-and-social-impact-via-her-lens","status":"publish","type":"post","link":"https:\/\/financialtelegraph.in\/index.php\/2022\/03\/21\/filmmaker-srushti-kalse-creating-magic-in-glitz-glamour-and-social-impact-via-her-lens\/","title":{"rendered":"Filmmaker Srushti Kalse Creating Magic in Glitz, Glamour and Social Impact via her lens"},"content":{"rendered":"
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March 21<\/strong>: \u201cRaised in a small town in Maharashtra where everything around feels like, but is not perceived as art, has put an effect on me in a quite rebellious way\u2014 noticing the unnoticed and choosing the path not taken.\u201d<\/p>\n

Srushti Kalse has been working in the media Industry for 7 years and has been operating as a Director of Photography for 4 years; started in Mumbai, India and is currently based in Los Angeles in the United States. She started off as a Behind-The-Scenes videographer for the bollywood movie \u201cTHE ZOYA FACTOR\u201d with A-list actors\u2013 Sonam Kapoor and Anil Kapoor.<\/p>\n

During her early days she also shot a few social awareness documentaries on subjects like the MeToo movement and hidden gems from Dharavi slums. Taking a leap of faith, she decided to move across countries to study Cinematography from New York Film Academy in California, where she produced over 5 short films during her course in the peak of the global pandemic.<\/p>\n

Having shot various genres in narratives, music videos, documentaries and commercials, Srushti has gained expertise in understanding the requirements of her projects and the creative visionaries. In March 2021, she landed her first feature film \u201cLOST IN THE MOMENT\u201d directed by Rasheed Stephans which got signed with platforms like Amazon Prime, Hulu, Tubi etc. and this has opened various doors of opportunities for her. She then embarked on a journey to New Mexico to work on another feature film, Eddie Vigil V\u2019s \u201cCHAMA DAYS\u201d which is still under post-production. Some of her work in music videos include artists like Matthew James\u2019 \u201cSHOW ME YOUR LOVE\u201d which is grossing on top 20 in UK MTV\u2019s rock\/club music charts and one of her own produced \u201cDOOM\u2019S NIGHT\u201d, a passion project. One of the films PALM TREES AND POWER LINES that she crewed on ended up winning the Sundance award in 2022.\"\"<\/p>\n

As much as a hustler that she is, she hasn\u2019t left one stone unturned when looking for opportunities. Grabbing on to a diverse variation of projects that comes along, she shot for events like Variety Magazine top 10 upcoming actors of 2021 and a profound social impact event with an esteemed intellectual artistic panel on “Awareness & Accountability – Building blocks of sustainable peace” for Vivek Agnihotri\u2019s film “THE KASHMIR FILES\u201d hosted by the inspirational team of HOPE B-LIT under their social awareness wing ” A Voices unheard Films”. Her most thrilling experience was working on a Marvel docu-style interview called \u201cSUPER POWER WOMEN\u201d based on women filmmakers in Marvel. This brought her an insight into the big world of the film business. Her latest work behind the camera on a short film \u201cUNCUT\u201d, directed by an Emmy award winner, Mark Hensley, is currently taking rounds of film festivals.<\/p>\n

\u201cThis play of light and shadows and how you can mold your story with every tweak of light (metaphorically and literally), has become a big part of my life. I have merely begun my journey as a storyteller and there\u2019s a long road to walk.\u201d shares Srushti Kalse.<\/p>\n","protected":false},"excerpt":{"rendered":"

March 21: \u201cRaised in a small town in Maharashtra where everything around feels like, but is not perceived as art, has put an effect on me in a quite rebellious … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":11347,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[175],"tags":[672],"class_list":["post-11346","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-press-release","tag-pr","entry"],"_links":{"self":[{"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/posts\/11346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/comments?post=11346"}],"version-history":[{"count":0,"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/posts\/11346\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/media\/11347"}],"wp:attachment":[{"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/media?parent=11346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/categories?post=11346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/financialtelegraph.in\/index.php\/wp-json\/wp\/v2\/tags?post=11346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}